Picture of the Week

by Elif Gulen | Instagram

Indigenous guardians reclaim the land

Indigenous guardians reclaim the land

Derek Michel lights up a cigarette near his tent on a small island on Christie Bay in the East Arm of Great Slave Lake. “I know every nook and cranny around here,” he says, taking a drag. “You do this as long as I have and the lake becomes your home.”
A fishing guide from the nearby community of Lutsel K’e, Michel is one resident hoping that the proposed Thaidene Nene National Park comes to fruition. It would be the first federally proposed park in the Northwest Territories to be co-managed by Parks Canada and a First Nation.
“To have tourists come here and have local people be the guides and monitors [for the park] only makes sense,” he says. “This is our home, so of course we should be the stewards of it.”

Photo Essay

Photography of Manchester and Salford in the 1960s by pioneering British photographer Shirley Baker

Thought to be the only woman practicing street photography in Britain during the post-war era, Shirley Baker’s humanist documentary work traced communities in the North West of England throughout the 1950s, ’60s and into the ’80s.
Baker’s passion for photography is perhaps best epitomized by her depictions of the daily life of the working class terraced streets in Salford and Manchester, which despite receiving little attention at the time, still remain important and empathetic documents of the urban clearance programmes and the resilience of communities under siege. This twenty-year period saw her evolve her ideas of documentary form and subject matter.

Picture Series

Image of sobbing toddler at US border: ‘It was hard for me to photograph’

Photographer John Moore, whose viral image of a weeping two-year-old girl at the US border has become the potent symbol of the outrage over Donald Trump’s controversial “zero tolerance” policy, including family separations, knew what he had captured was “important”.
What he could not guess, however, was how great an impact his picture would have on the debate as it was published around the globe.
Moore, a veteran Getty Images photographer, who has spent a decade documenting immigration and US border issues, had been accompanying a patrol along the Rio Grande Valley.

Story

Migrant families separation poster girl not taken from mum

Border

A little girl who became the public face of US migrant family separations was not taken away from her mother at the US border, says her father.
A photograph of the Honduran toddler sobbing in a pink jacket was snapped at the scene of a border detention.
Time magazine has used the image for its latest cover, depicting President Donald Trump looming over the girl with the caption: “Welcome to America”.
But thousands of other child migrants have been taken from parents in the US.
  • The chaotic process of reuniting families
  • Migrant families separation: The big picture explained
  • Trump hosts victims of illegal migrants
The image was taken by photographer John Moore for the news agency Getty Images on 12 June at McAllen, Texas.

Source

Natur Conservancy – Contest Winners

The winners of the Natur Conservancy contest are out. Have a look at the winning images.

Competition